We glamorise the void
so we can recruit monsters from it
with a clear conscience,
raising celluloid and silver screen
to mark the perimeter they patrol,
the vanishingly thin membrane
that divides the darkness of the auditorium
from the bottomless pit on whose brink they stand.
While we sit distracted and safe and soda-bloated
they stand, drenched in blood like greasepaint,
converting carnage to farce, breathing fire
into balloon animals before they maul us,
but while they perform the alchemy
that turns fear to entertainment,
before retreating back into the abyss
from which we summoned them
as the credits roll and the theatre empties,
returning on cue as the programme requires,
imagine how they regard us. Imagine
the void we represent to them,
the horrors we portray in our indolence,
our eloi-indifferent indolence, and be grateful
they don't stride off the screen
to slaughter us like morloks.