We peer deep into the darkness
and see distant galaxies swarm, waltz, sway
and pirouette in their dance with gravity
as it twists and stretches our lines of sight
through space and time. Their ancient light
sweeps like the hem of a sequin gown
over a period piece ballroom floor long ago
in some elaborate costume drama cosmogony
where they curtsey and bow: intrigue, deceit,
attraction, betrayal, victory and defeat
played out across billions of light years.
They stick in the golden honeycomb of our telescope,
caught in the freeze frame of our brief existence,
the span of time we take to contemplate miracles
a mere glimpse compared to the gulf
across which the image of them has travelled
as if printed on the wings of a butterfly,
dealan-dé, lightning of God, lock and hinge of yesterday,
carrying our soul from this world to the next.
Our slight lens is nothing compared to the mass
that leads this starlight in its pas de deux,
its cosmic cabriole, the grand jeté of its lensing arc
inviting us to make our own imaginative leap
that sees us consider how we might seem
to someone peering at us through the depths
of space, a distant observer in the far future,
after a similar interval of time has elapsed
and our first light finally reaches them.
With the flick of a switch that is our entire history
we turn on the light bulb of humanity,
imagining it makes our dusty garret
here in the debris of star formation
itself a Pharos shining across the nights to come,
only to find its unruly rays tumble like tangled spaghetti
spilling across alien skies, or worse than that,
perhaps the duration of our civilisation
will be cut short, curtailed by catastrophe,
so that we can only be seen blinking on and off
for a cosmic instant, by an observer
looking in exactly the right place
at exactly the right time,
and what are the odds of that?
(Written on seeing the first deep field images acquired by the James Webb Space Telescope)