We dance compulsively, with balletic precision.
We pirouette upon the thin ice, unaware
of the bottomless reservoirs of evil beneath.
When, from time to time, we pass a face,
gaunt, glazed over eyes gazing up from under,
expression frozen, a mask of horror and despair
preserving a last moment of realisation,
we dance over it and on to our next arabesque.
Sometimes we pause, perhaps, to reflect,
briefly, just as long as decency dictates,
and ponder our superficial, irrelevant thoughts,
wisdom some might call it, but we must continue,
movement is essential. We mustn't rest our weight
too long in one place. The ice might break. We dance,
until we don't, until we fall in, into the inky sin,
and swim in ice water, acid vice, breathe in the brine,
fill up our burning brimstone lungs, until our skin
is just a thin membrane between the dark within
and a fluid amniotic evil that surrounds us,
a midnight sea, biological without being moral,
a confluence of every lustful discharge in the shadows,
where we dive for the black pearl of our conception.
How many masks pressed up against the ice
does it take to warn the other dancers not to stop.
Don't risk this knowledge, lineage as carnage,
the dark cousinage that condemns us,
implicated by ancestors we share
with all the murderers and rapists,
touched by all the evil in the world
clotting in our veins when we are dead.