Monday, 7 September 2026

Colossus

O my broken soul, 
we are termites
under the Colossus' feet. 
We are children 
of a doomed future
burrowing into the past.
Call us vermin.
Call us an infestation. 
Celebrate those future ghosts
whose wandering you rehearse
as if they were your ancestors.
Raise statues to celebrate them.
Our memories are fragments
of a shattered planet
drifting towards the end of time
intercepted by machines
we cannot begin to imagine
whose wild speculations
form the basis of our history
as they try to reassemble
what they find, what we lost,
into something that makes sense
to them at least, if not to us, 
and everything we think we know
is just something they got wrong,
and everything we think happened
is just a jigsaw of the past they made
from the bits and pieces left over. 
My broken soul rebels against repair. 
Let me remain an insect. 
I will slowly eat my way through 
all the truth and lies
cast into the foundations
of this Colossus.
It makes no difference. In the end 
it wasn't an asteroid that ended us, 
it was an idiot. 

Friday, 4 September 2026

The final analysis

We must volunteer for oblivion. 
If we try to avoid it, we will only find
our every brave and resourceful stratagem
ends up looking like cowardice anyway
in the final analysis, 
and there is no reason,
no watertight logic we can deploy
that is not revealed to be lies
leaking cowardice and extenuation
through a thousand desperate excuses.
You do not live by being a death dodger.
When you were young did you run in the woods
and occasionally encounter a carcass
and interrogate it with a stick
and lay flowers on the remains
of that poor animal or bird
just to give childish expression 
to the profound sadness it evoked?
That was your own grave. 
Have you ever fallen asleep
as rain covers you in a blanket of sound,
slowly dissolving you in its incessant whisper?
That is death. When I was very young
I lay in the garden under the rain
and lost myself in the sensation of it
and although my irritated impatient parents
summoned me indoors and offered me a towel,
and we subsequently moved house,
and an entire lifetime has elapsed since,
I think I am still lying there, under the rain.
I think I will always be lying there, 
in that garden, even after I am dead,
and perhaps someday, when everything 
has been reduced to indecipherable ruins, 
overgrown by a riot of vegetation,
some child will rattle a stick between my ribs.

Tuesday, 1 September 2026

Scotia addresses Sir Alexander Seton IV on midsummer eve

Pick a side. 
You know where you are. 
You know how you got here. 
Was it worth it?
You'll never know,
you can only believe
and never stop living your life
in a way that makes amends
for all the sins you know about
and the greater number that you don't. 
No sacrifice entitles you to anything. 
There is always a greater sacrifice
offered by someone else
to weigh against your own. 
There is no argument you can make
for demands that are irrational.
There is no king worth any ransom
but you must pay one nevertheless, 
therefore, pick a side, 
and in that choice
find a truth you can defend
against the odds, 
against reason itself. 

The garden

The flower does not wilt
nor does the flesh decay. 
Yes, there is a change, 
a season, a cycle, a shift,
but we choose to describe it 
this way, as if that marks an end,
all cadence and no modulation. 
There is no end. 
There is a choice of words, a slur. 
The grave is a trove of words
we drag mud-tongued across the world,
slandering it with our own mortality, 
as if we crouch beneath the low ceiling
of a bunker just big enough for our grief.
We retreat into this place from another,
open, bright with love, free from time,
and occupy an underworld 
where time passes and we let death
mark its passing and be the author of our lives
according to his grim schedule.
It is the poet's duty to declare
that only love is real,
and sometimes this may require us to sing
of what a world without love looks like
but make no mistake: we know the tomb
from which we broadcast our sombre report
is an illusion, the words we use
scripted for us by liars and cowards,
and there is another song to sing
beyond the threshold of a worm's ear
in a garden that is always in bloom,
where the flower does not wilt
nor does the flesh decay.